Would folks agree that this section of 6-B-0 defines what Ballard was 'trying' to get across in his views on connection:
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The Turning Rate of the Pivot Components – especially the Shoulder Turn as actuated by Hip Action (7-15) – MUST be identical and synchronous with the #3 Accumulator Roll
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Further, does this represent a reasonble definition of Rhythm for a 'true' swinger?
The 'straight spoke'
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The Turning Rate of the Pivot Components – especially the Shoulder Turn as actuated by Hip Action (7-15) – MUST be identical and synchronous with the #3 Accumulator Roll
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Further, does this represent a reasonble definition of Rhythm for a 'true' swinger?
The 'straight spoke'