HA....I can even fix you on my LUNCH BREAK!

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Jim Kobylinski

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So my 2nd student ever who i began teaching last year who has taken maybe 5-7 lessons from me and also 1 from Brian when he was in town last year called me up today and asked if i wanted to get together for lunch and hit some balls at a range about 2 minutes from my normal job.

Background: This student is on the Never Hook Again side of the Manzella Matrix who has a backswing that never really gets up to the turned shoulder plane and subsequently either does 1 of 2 things:

1) Comes from way inside on the downswing and swings too far to the right
2) Comes over it a little and smothers it left.

This by the way is what i constantly refer to as "too much in and not enough up." It happens a lot with better players and those who want to make their swing "flat."

So unfortunately i don't have any "before" photos. I'm still learning how to use my new camera phone and i deleted them by accident. However the photos i do have are live action shots that i took of his swing and ARE NOT POSED!

Picture 1: (click for larger image)


Explanation: When you have too much in and not enough up that yellow line i drew would be pointing OUTSIDE the ball signifying a flat backswing and an over-rolled left arm. This is the "after" photo of about 30minutes of work. All he needed was a setup adjustment and a takeaway adjustment to get the club to work more outside on the takeaway so when he lifts the club up it is on plane, or in this photo even slightly inside the plane. Pretty damn good position here.

Picture 2: (click for larger image)


Explanation: Here is a live shot that i snapped on his downswing and you can see how much shaft droop there is in this photo to prove it. The yellow line is to monitor the clubshaft plane, the red line is drawn as an extension of the plane line, and the light blue line is the turned shoulder plane to monitor where his right shoulder is going. Notice how the clubshaft is pointing directly at an extention of the plane line and the right shoulder is going perfectly downplane. He also swings on the elbow plane and if i had 1 more frame later i bet that clubshaft would be lined up with his right forearm no doubt.

The result of this shot was a very high shot that started straight and maybe drew 1-2 yards tops. My students will tell you i tend to teach a pretty straight ball flight (no matter how hard that is to believe) that only moves left or right a few yards.

----------------------

Now as i explained to him and i will to all of you, if you do not keep pivoting and turning through that shot it is very easy to make this great position turn into DISTASTER. If he slowed down his pivot too much, that clubshaft would continue going out to right field, his right shoulder would come underplane and most likely you'd hit some kind of push/push hook/push fade.

So there you have it, come get fixed on your lunch break ;)
 
Jim, I'm glad I brought you a footlong Subway. I felt the smaller size would not be enough time to get me fixed.
You took me from depression about my swing to excitement in about 45 minutes!
Many Thanks!
 

KnighT

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I like your lines. When the Manzella Academy draws lines....they must be very important. I like all 3 in pic two; especially the red and blue.
 

Jim Kobylinski

Super Moderator
Well i personally don't like to draw lines, confuses most students and you can't ever really get around camera paralax. But if you know where to draw them they can be useful on some things.
 

Jim Kobylinski

Super Moderator
Jim, are you able to share with us the set up adjustment and the takeaway adjustment?

More mid body hands and a very slight lagging clubhead takeaway. Both are designed to keep the club outside the hands longer so that when you start lifting the club it won't be too inside.
 
...Now as i explained to him and i will to all of you, if you do not keep pivoting and turning through that shot it is very easy to make this great position turn into DISTASTER. If he slowed down his pivot too much, that clubshaft would continue going out to right field, his right shoulder would come underplane and most likely you'd hit some kind of push/push hook/push fade.


Do you have some drills to help with this (turning through the shot)? This was my exact problem yesterday. I started the ball to the right all day yesterday, and contact was iffy.
 
Do you have some drills to help with this (turning through the shot)? This was my exact problem yesterday. I started the ball to the right all day yesterday, and contact was iffy.

This must be a epidemic b/c I was doing this all day yesterday too. Pretty decent contact with driver but poor with everything else. I absolutely could not stop PUSHING the ball with every club in the bag. The bright side to this for me is I resisted going back to the old "FLIP" to square it up. I too need to learn to pivot through the ball. I don't think I have ever felt that correctly. Until I do, I will keep workin on it. :)
 

Jim Kobylinski

Super Moderator
Jim, do you believe there is such a thing as too much pivot on the downswing?

No, as long as you don't "round house." That's where speed comes from; tell me who doesn't use their pivot more than Tiger on his downswing and how far his ball goes ;). Now in what direction will be a mystery at least for him :D hehee
 

Leek

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I guess turning through that much sort of scares me. I have this fear that I'll lose control of the clubface. That and having very soft wrists/arms on the downswing, which gives me the same irrational fear. (I don't really understand my fear. It's just a ball)
 
...

I guess turning through that much sort of scares me. I have this fear that I'll lose control of the clubface. That and having very soft wrists/arms on the downswing, which gives me the same irrational fear. (I don't really understand my fear. It's just a ball)

I used to have that FEAR too Leek..Then I just told myself I was just practicing and if the ball did go off in a strange direction or pull 45* left it didn't really matter...:)
Once you find out the ball goes straighter when you do it right, the fear just dissolves....
Go out and make a plonker of yourself for half an hour...you'll have the last laugh...:p
 

Jim Kobylinski

Super Moderator
I guess turning through that much sort of scares me. I have this fear that I'll lose control of the clubface. That and having very soft wrists/arms on the downswing, which gives me the same irrational fear. (I don't really understand my fear. It's just a ball)

I have students like you, they almost think i'm teaching them to "hit it and hope" LOL. But in reality you're not, you are educating your hands FIRST. Then educating your body. So that way at SETUP you are "programming" what you want to accomplish in that shot.

THEN

You are simply trusting yourself to do it and doing it. What happens is that a lot of people don't have command of their pivots very well. So say at 50% speed/effort you do everyhing perfectly. But at say 75%, you lose some of your tilt and right shoulder/forearm comes in a little high and the shot wasn't as good as it was at 50%.

So it's a learning process. A lot of my students always ask me, "when can i really go after one?" I tell them as they learn and gain more control over what your pivot is trying to do, you can learn to turn it faster.

Hope that helps
 
Jim, how much of the Pivot is Hips? I have struggled with what a Pivot consists of since I have been here( about 6 months). I have religiously been trying to apply the principles I have learned here on this site but it wasn't till last night at a range session I focused on starting the downswing with a "bump" of the hips and trying to get them open at impact. This is the first time it seemed to come together. I was hitting the most crisp irons I have hit in years...it's also the first time I have ever tried to think about what my hips should be doin or at least the position they should be in. It's like everything just clicked. I know swing thoughts come and go but this is the first time I was able to hit a bucket of balls consistently it what seems like forever. :)

Conks.
 

Jim Kobylinski

Super Moderator
Jim, how much of the Pivot is Hips? I have struggled with what a Pivot consists of since I have been here( about 6 months). I have religiously been trying to apply the principles I have learned here on this site but it wasn't till last night at a range session I focused on starting the downswing with a "bump" of the hips and trying to get them open at impact. This is the first time it seemed to come together. I was hitting the most crisp irons I have hit in years...it's also the first time I have ever tried to think about what my hips should be doin or at least the position they should be in. It's like everything just clicked. I know swing thoughts come and go but this is the first time I was able to hit a bucket of balls consistently it what seems like forever. :)

Conks.

That's a fine swing thought, we tell hookers all the time to almost make sure the hips are in front of the hands and the hands are in front of the clubhead.

The "bump" is the key to secondary axis tilt and imo, to good consistent shot making.
 
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