Understanding the D-Plane

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If I knew about the D-Plane, and had TrackMan to measure it, I would have been able to fix my two best students who were poor short iron and wedge players BECAUSE they weren't zeroed out.

They were PERFECTLY on plane.

They had GREAT Clubface control.

They swung down a bit and the bottom of their D-Plans were far to the right and way in the ground and all the king's horses and all the king's men couldn't do anything about it.

This comment made a light go on for me. Or at least I think that I did! For sometime I have thought that all one needed was to trace the plane line with a flat left wrist and have the clubface pointed in the right direction for the shot shape you wanted. Reading this quotation suggested to me that there is a fourth component to controlling a shot, and that is what the D-Plane tracks, namely, the steepness of the swing as it brings the clubface into impact, or the angle of attack on the ball. The steeper the swing the more to the right the ball flight. Forever, I thought that the only thing that a forward-leaning shaft did was to close the face to give a lower flight path. It may happen that way, but only if the ball position is such that there is no net change in the angle of attack on the ball. A flat-left wrist, tracing a straight plane line, hitting down on the ball with (most of the time) a forward leaning shaft (with TGM hinging not contributing anything really except insofar whatever you attempt to do with hinging will change the angle of impact) will not by themselves explain ball flight and path. You need to understand the D-plane characteristics of the shot to have a full explanation of ball flight and path.

Am I any where near correct? If not, can someone tell me where I am getting it wrong?
 

Kevin Shields

Super Moderator
Several years back I started teaching better players to hit what we were calling a "player's draw". It was aim straight, clubface square, and just make sure your club was still traveling to a low point that was a touch right of the ball.

Well.......how the hell did i miss the DPlane then? I could clearly see that if your club was still traveling down it was also traveling out, creating the draw. If I had any brains at all, I wouldve seen that if the face was open it wouldve been a straight push (which I knew), but I cant honestly say I told anyone to aim left, etc. for a straight shot. Nor did I take into accont the top vector of that plane.

Geez, sometimes when you feel you're close at a breakhrough......

Great website.
 
Ya man. It's amazing how simple things can be in hindsight...

Club moves outward as it moves downward.

Nuts nuts nuts never fails to amaze.

What can we learn from this.

I feel somewhat confused.

Question everything no doubt but I guess sometimes missing things has to be filed within your Expectations.

Rats!!

:)
 

SJO

New
Sometimes when I tried to hit a big fade when I was a kid I would try and cut across it and hold it off and I would hit it dead straight. Then I'd say, "I should try and do that all the time." Now I think maybe I should!
 
AoA is really misunderstood and overlooked IMO and I am still not sure that I quite fully understand all of the effects it has on the ball.

I'm pretty sure that give me a few months I could find a popular golf instruction magazine saying to the effect 'to hit the ball high, you have to hit steeply down on the ball' which really isn't correct. In other words, pop golf instruction gets the basic idea of the effect of AoA wrong, so I highly doubt that many instructors know what AoA does to ball flight direction.






3JACK
 
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