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"Why don't you guys just ask me about Faxon, Perry, Durant, Hnatiuk, Jerry Pate and others?
I would love to tell you what component variations we've worked on."
Ron Gring, G.S.E.D.
I, for one, would love to hear about your work with Faxon, Perry, Durant, Hnatiuk, Pate and others. I am sure we all could learn a lot, and move from the "book world" to the "real world".
I assume most, if not all of the aforementioned students are not really into TGM, and that you get your point across to them without using TGM terminology (like Brian does when he works with David Toms).
What aspects of TGM have you found most helpful in working with Tour players?
What components are the ones most often "modified"?
What can mere mortals learn from these players' swings and any changes you have worked on with them?
I have a million more questions, but at the risk of overwhelming you, I will now await your reply!
I would love to tell you what component variations we've worked on."
Ron Gring, G.S.E.D.
I, for one, would love to hear about your work with Faxon, Perry, Durant, Hnatiuk, Pate and others. I am sure we all could learn a lot, and move from the "book world" to the "real world".
I assume most, if not all of the aforementioned students are not really into TGM, and that you get your point across to them without using TGM terminology (like Brian does when he works with David Toms).
What aspects of TGM have you found most helpful in working with Tour players?
What components are the ones most often "modified"?
What can mere mortals learn from these players' swings and any changes you have worked on with them?
I have a million more questions, but at the risk of overwhelming you, I will now await your reply!
