mandrin
New
EdZ,EdZ said:As you have described it, yes brian. Nobody else describes it with those words. There have been many players who have used this move, or a variation of it, the so called 'closed to open' or 'closed to closed' motion, as contrasted to the 'open to closed' motion that is the typical swinger's move. Nicklaus spoke about this difference in Golf My Way. Many who have used the thought of 'keeping the clubface looking at the ball' to encourage exactly the arm motion you speak of.
Among today's players, Tom Lehman demonstrates this rather well, and Palmer before him. Those who have also discussed some, if not all, of the concept you describe include Dante, as mentioned, as well as Mindy Blake (same move of the arm, different grip). The 'square to square' approach also touched on this. It is generally a move that encourages a 'hitter's' motion and feel. Those who tend to 'arch' the wrist at the top often fall into this group.
It is certainly a very useful way to help people who have an open clubface. The trend when using the 'twist' is to then hit a pull hook, which forces a player to learn the downplane shoulder and inside aft quadrant. Or to drive the legs to keep from hitting hooks, or both (Trevino).
Personally, I think the biggest benefit of the approach is that it conveys the feel of lag pressure better than most drills/fixes, allowing people to 'hear' compression for the first time. Especially useful when hitting shots with the right hand thumb and forefinger off the club.
As a long term playing though, it can be useful, but ONLY if the amount of 'twist' is montitored (which makes it questionable under a pressure situation IMO). The 'manual' nature of the move can be offset to some degree by the use of 'extensor action', or monitoring the amount of bend in the right wrist (Dante's view). Trajectory control can be more difficult as well.
As I have written before, I like to use the phrase "let extensor action be the limit of the twist", as I find this is the best way to monitor over twisting. It can also be useful to double check your plane angle when using this move, as too flat a plane angle can lead to the shanks, and too steep will keep you hitting pulls.
The root reason for the need for the twist, and for the fact that the majority of people hit slices, is the design of the club. Physics dictates that the club face 'wants' to be in line with the force acting on it. This causes the 'natural' motion of the clubface to open going back to put the sweetspot in line with the shaft. There are two general approaches to counter this - 'allow' the rotation back (swinger) or 'resist' (hitter). Many slicers begin with a pretty decent backswing, but fail to realize that they must CLOSE the clubface on the downswing via rotation, specifically of the lead forearm, the 'knuckles to the ground' of full roll. As the pivot improves, the need for independent arm roll is lessened.
This is the SINGLE BIGGEST thing that the vast, vast majority of players who can't break 80 don't get. Rotation of the lead forearm. The second being that force must move DOWNplane to both arms straight (aiming point, a divot in front of the ball, driving the ball 'into' the ground)
Nice post. There is a lot of interesting stuff crammed into only a few lines.
I like to use the “curling under” move of the lead hand fingers with the irons (The Square-to-Square Golf Swing, 1972), and lead forearm rotation with the longer clubs.
An interesting article about forearm rotation appeared in ‘Golf Illustrated’, Dec 1999, by Al Barkov, ‘Forearm Rotation – The Secret for Power and Control’.
‘When Ben Hogan talked about the golf swing during his last years, he spoke almost exclusively about (lead forearm) rotation. It was like a mantra. ‘
‘It is not a new concept. Hogan did not invent it. But is has not always been explained properly, even by Hogan.’
mandrin