Tumbling and Connection

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Kevin Shields

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Wow, the more I just read about this topic, the worse my swing gets.

Kevin or Lindsey, how many players have this hand path "naturally" versus how many have to really focus in on learning it? On a difficulty scale, how difficult is it to go from the too outward hand path to the more vertical handpath - generally speaking of course.

Ive seen ur swing, just keep hitting that power cut and disregard this info unless its to help a student. Doesnt apply to you at all.
 
Ive seen ur swing, just keep hitting that power cut and disregard this info unless its to help a student. Doesnt apply to you at all.

Great point. Some of the greatest ball strikers of all time had an out/more horizontal/at the ball hand path with a strong grip. Most if not all favor a fade.
 
I feel like tumbling is one of these things that requires a warning label. It's been a popular topic around these parts, but it definitely doesn't seem like it's for everyone. It's been talked alot about how it's important, or desirable, but I don't think I've read much about the ball flights its associated with. I get the impression it fits more with a swing left fade or straight ball kind of pattern. Can you hit a draw using tumble? I have no idea. From what I've read, it's quite important for underplaners. But it seems like if you want to hit a draw without aiming off the property right then you've got to get it a little underplane. I just watched Softdraw 1.0 for the first time today, so all this is on my mind. Am I way off base here or is a softdraw type pattern and tumbling polar opposites? Would a guy like Kenny Perry possibly ruin his career trying to tumble?
 
Too much tumble must be disatrous. The club coming in to the ball from above and outside is the worst of all scenarios. Left shins beware.

"He who wishes to tumble must reverse tumble first!". True or half true?
 

Kevin Shields

Super Moderator
I feel like tumbling is one of these things that requires a warning label. It's been a popular topic around these parts, but it definitely doesn't seem like it's for everyone. It's been talked alot about how it's important, or desirable, but I don't think I've read much about the ball flights its associated with. I get the impression it fits more with a swing left fade or straight ball kind of pattern. Can you hit a draw using tumble? I have no idea. From what I've read, it's quite important for underplaners. But it seems like if you want to hit a draw without aiming off the property right then you've got to get it a little underplane. I just watched Softdraw 1.0 for the first time today, so all this is on my mind. Am I way off base here or is a softdraw type pattern and tumbling polar opposites? Would a guy like Kenny Perry possibly ruin his career trying to tumble?


Way off base on all accounts and its probably the best way to draw it...using no face roll. Kenny Perry is a great tumbler. Soft draw is a good reminder that in some ways tumble can be looked at as getting the club from one side of the body to the other.
 

Kevin Shields

Super Moderator
Too much tumble must be disatrous. The club coming in to the ball from above and outside is the worst of all scenarios. Left shins beware.

"He who wishes to tumble must reverse tumble first!". True or half true?

Ive seen thousands of golf swings and ive seen too much a few times....nothing that cant be fixed by staying closed longer and getting the hips more forward and open.
 
Thank you Kevin, that is very helpful. I've always been a better visual learner, so trying to visualize some of these descriptions has been challenging for me.
 
I get tumble in my swing when I think of my hand path. When I do it right--or at least what I think is right--I feel as if my hands are moving diagonally (relative to a straight base plane line) from the top of my backswing past my left leg and then left, as if they are moving outside-in. My arms are much more vertical through impact, and my arm swing forces me to pivot to get my hips out of the way of my arms moving left. I try to "lift, drop, and rotate" in my swing. The main problem I have with my tumble is being patient enough to allow the club to drop onto the ball. When I do it right, I can draw it or fade it by setting up properly.
 
Lindsey and Kevin,

In your opinion and based on what you've seen, when the left arm moves more horizontally on the DS, I've noticed a posture change as some players "come out of the shot." My question, is it the horizontal motion of the left arm (probably coupled with an early opening of the shoulders) that would cause that or is it more of a result of the player raising up through impact that flattens the left arm?

A closed counterfall tends to correct one or both, but it seems that the players that tumble beautifully actually lower their spine angle through impact.

Thoughts?
 
Jared,

In my example, it would be the left arm FW. Tumbling the shoulder isn't something I see that often nor would I teach. It kind of freaks me out when I see it.
 

Kevin Shields

Super Moderator
Lindsey and Kevin,

In your opinion and based on what you've seen, when the left arm moves more horizontally on the DS, I've noticed a posture change as some players "come out of the shot." My question, is it the horizontal motion of the left arm (probably coupled with an early opening of the shoulders) that would cause that or is it more of a result of the player raising up through impact that flattens the left arm?

A closed counterfall tends to correct one or both, but it seems that the players that tumble beautifully actually lower their spine angle through impact.

Thoughts?

The posture change is the hips humping forward to help back the club under. Not everyone does it though. DT has great body angles with his outward left arm
 
Tumbling the shoulder isn't something I see that often nor would I teach. It kind of freaks me out when I see it.
Right shoulder tumble could be the effect of mometum from a more laid off club and the right elbow straightening.
 

Double tumble....hmm. I always believe that any shaft, that comes out of transition steep, changes things. Those coming from laid off after transition have some margin for error. In order to be optimal in use of the club, I always have felt the anything steep coming out of the transition requires 2 moves to impact (Carl Peterson) v.s. one (Price). Again, that's if you want minimal downward hit with forward lean, which to me is optimal. Like I have said before, you can take a steep shaft coming out of transition with a stronger grip and drive it, backing up the whole way through the ball to the left and be great.

When I watch his swing, I see a well timed backed up shaft with a decent pivot to control low point and probably 6* AoA. There is a reason he could not draw the ball at the Masters. It's obviously a world class move to hit backed up drag fades. I mean no disrespect by that either. His ball flight looks good to me. I have my preferences like anyone else and that ain't it.
 
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