It's great to see you there, Tee. Gents, pay attention to what he says and I mean it. He may be very helpful in your scientific trip with his equipment and discoveries.
Cheers
Dariusz: Who is Tee? Why should we listen to him?
It's great to see you there, Tee. Gents, pay attention to what he says and I mean it. He may be very helpful in your scientific trip with his equipment and discoveries.
Cheers
Dariusz: Who is Tee? Why should we listen to him?
Fair enough but would the sweetspot not still be behind the handle? Grip cap or whatever?
If you do it right you won't and shouldn't have to worry about lag ever again. I never in a sec. of golfing worried about lag or throwing any kind of ball or playing lacrosse or hockey or any sport. It's an effect. work on all the effects and drive yourself crazy.
Ok what in your opinon would be the right things to do that create lag so no one would have to worry about it?
# 1. Quit trying to create it.
# 2. Quit worrying about trying to create it.
I think Dariuz is wedded to a belief that Henry Cotton was right: that among good players there are only three types of releases: what Cotton called push, roll and slap/hinge. In fact, there are several more, including a flip or "pro flip" by some. The players I listed do, in fact, flip: the left wrist is bent at impact. That is a flip. Since they are world-class players, they have found a way to do this with a forward leaning shaft at impact. Nevertheless, it is still a flip.
There are plenty others who have a flat wrist at impact but flip immediately after impact, but that release is different from a pro flip. I assume Dariuz would call this style of release a slap/hinge, others call it an "underflip".
Mike O, club that are too flat produce toe deep divots. This droop/downwards bending of the shaft produces theoretically a toe deep divot, so the club has effectively been made flatter. That's how I read it anyway...
# 1. Quit trying to create it.
# 2. Quit worrying about trying to create it.
Second image is from bird eye view and we can see relative to the rotation, it passes the hands much much later.
There is different type of players, but we have to remember all the time that we have to know more about that move than can easily be seen. In this case the player takes his hands so much to the left, that it seems there is no forward lean, even when the ch stays much behind the hands through impact.
So when talking about ch passing the hands, we should be really carefully with definitions which way we mean it. Specially when we connect that to the learning process and what player should do.
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Tee: was this a good shot? How did the ball fly?
I may be misinterpreting your graph but in my simpleton head it seems that the hands move more rapidly towards the ball just before impact and less rapidly away from the ball after CROSSOVER, not after impact. Is this correct are am I talking shite?
Crossover point (approx.)?
Palmar FLEXION (ie LESS cupping)of the LEFT hand? That would shut the face and would not be very compatible with pronation through impact, right? (PS I know that the medical establishment states that flexion and extension are often mixed up by non-medical people, so maybe you mean the opposite to what I just stated).
By the way Tee, do you have a graphs of the hand/ch realtionship from the bird's eye view relative to the target line alone?
Thanks again for your responses.